William Vallières

From Montreal's metro stations and streets to pastoral mise-en-scènes, William Vallières' first book, Versus, is a lyric bildungsroman filled with portraits of seduction and infatuation, loneliness and buried shame. "What yesterday had fought to bud / Is stunted under ice today." These are darkly canny poems about childhood, familial histories, lost love and the weariness of spending one's "being being / Everything I'm against." Deftly crafted, intense and compact, with barbed insights arrived at through verbal twists and syntactic half-turns, Vallières' voice is entirely his own.

Rosalind Pepall

This is a collection of stories about art works--whether an oil portrait, a wilderness explorer's sketchbook or a Tiffany lamp--and how the author fell under their spell. Few people are aware of the work, the emotion, and the obsessions of a curator's job. Exhibitions come and go; they are forgotten after a few years, but they live on in the curator's memory.

In these fifteen essays we encounter artists falling in and out of love, family tragedies, the creation of the Stanley Cup, the secrets of Tiffany, Antiques Roadshow, a rootless baroness, the design craze for aluminum, small Japanese boxes called kogos, watercolour sketchbooks of the Canadian north, a beautiful prayer room in Montreal, gondolas flying through windows in Venice, and Moscovites who love Goldfinger.

Pepall’s stories sparkle with clarity and leave one with a sense that art is an amazing, worthwhile, occasionally mysterious human activity.

Archival black and white photographs and colour plates—including Edwin Holgate’s Ludivine, one of the most beloved and recognizable Canadian portraits ever painted—make this book a must-have for art lovers, students, academics, museum-goers and readers interested in the role art plays in the creation of our lives.

David Homel

David Homel’s eighth novel is an exquisitely written, brutally honest, brave work from a two-time Governor General Award winner at the peak of his powers.

Phil Brenner has fallen into a slump. All of his life’s achievements have somehow crept into disarray. As a freelance journalist, his career pinnacles keep receding in the rearview, as he struggles to stay relevant in a culture that prizes identity over experience. He feels unfairly cast aside by younger generations, designated the very “white male of privilege” he spent much of his youth rallying against. As a husband, he’s estranged from his wife, whose job supports the suburban lifestyle he never wanted. As a father, his two daughters repel any attempt he makes to connect.

But when a chance arises to cover the refugee crisis in Eastern Europe, Phil seizes the opportunity to reinvent himself into the person he could be, if only he can bring himself to tear down the tired notions of who he has become.

Kaie Kellough

Dominoes at the Crossroads maps an alternate Canada—one crisscrossed by a Caribbean diaspora seeking music, futures, and portals to their past.

In this collection of stories, Kaie Kellough’s characters navigate race, history, and coming-of-age by way of their confessions and dreams. Through the eyes of jazz musicians, hitchhikers, quiet suburbanites, student radicals, secret agents, historians, and their fugitive slave ancestors, Kellough guides us from the cobblestones of Montreal’s Old Port to the foliage of a South American rainforest, from a basement in wartime Paris to an underground antique shop in Montréal during the October Crisis, allowing the force of imagination to tip the balance of time like a line of dominoes.

An internationally acclaimed sound performer and writer, Kaie Kellough’s books include Accordéon, which was shortlisted for the 2017 Amazon Canada First Novel Award, and Magnetic Equator, shortlisted for the 2019 QWF A.M. Klein Prize for Poetry. Born in Calgary, he currently lives in Montréal.