Véhicule Press

The Suicide's Son

James Arthur

“I believe in the power of original sin,” writes James Arthur, “in the wound/ that keeps on wounding.” Set against a backdrop of political turmoil in the United States, The Suicide’s Son is about the complicated personal histories that parents inherit, add to, and pass on to their children. This is a confessional book of masks and personae, of depopulated landscapes haunted by history’s violence, of speakers whose conflicted truth-telling is marked by sense of complicity in the falsehoods they glimpse around them. “I’m aging very slowly, because every part of me / is already dead," says Frankenstein’s monster. With his formidable powers of observation and inimitable ear for the cadences of speech, Arthur shows himself to be, in only his second book, one of the best English-language poets writing today.

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Aphelia

Mikella Nicol

Capturing the emblematic ennui of a brooding Montréalaise, a millennial novel by one of Quebec’s brightest young feminists.

Montreal is in the grips of one of its summer heat waves, when searing temperatures have a way of making its residents cast aside their better judgment. A young twenty-something works the night shift at a call center, her only company the disembodied voices of the customers who call in to complain. She spends her night off drinking with her friend Louis at “their” bar, while her successful boyfriend sleeps. His career allows her the pleasures of his spacious, modern condo, a new existence. She likes feeling undefined, still up for grabs, even as the middle-class trappings of her relationship threaten to shape her.

In the stifling humidity of such surroundings, her life is turned upside down when she grows obsessed with Mia, a beautiful woman she meets one night at the bar. Then there’s the woman who’s gone missing, whose face is constantly on screens across the city. How can she stem the drift away from her relationship, she worries, when her former lover B., who was both violent and magnetic, is always in her thoughts?

All these orbits are set to collide, as the heat wave shows no sign of breaking and emotions reach record highs.

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Dominoes at the Crossroads

Kaie Kellough

In Dominoes at the Crossroads Kaie Kellough maps an alternate nation—one populated by Caribbean Canadians who hopscotch across the country. The characters navigate race, class, and coming-of-age. Seeking opportunity, some fade into the world around them, even as their minds hitchhike, dream, and soar. Some appear in different times and hemispheres, whether as student radicals, secret agents, historians, fugitive slaves, or jazz musicians.

From the cobblestones of Montreal’s Old Port through the foliage of a South American rainforest; from a basement in wartime Paris to a metro in Montréal during the October Crisis; Kellough’s fierce imagination reconciles the personal and ancestral experience with the present moment, grappling with the abiding feeling of being elsewhere, even when here.

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Mayonnaise

Éric Plamondon

Writer Richard Brautigan was a counter-cultural icon of the 1960s. In Mayonnaise, the second novel of Éric Plamondon's 1984 Trilogy, narrator Gabriel Rivages pieces together Brautigan's life starting in Oregon, where he was born, to San Francisco, where he became a poet and satirical novelist, and on to Bolinas, California, where he committed suicide in 1984. Sifting through the ruins of Sixties idealism, Plamondon recasts the American western frontier into a surreal, timeless place of industrial invention, Hollywood glamour and acid-washed hedonism. Originally published in French, Mayonnaise was a finalist for the Grand Prix du livre de Montreal.

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The Damned and The Destroyed

Kenneth Orvis

‘God help us, Dent – the thing is, my daughter has become a dope fiend.’

Maxwell Dent studied law at McGill and served in the RCAF and Intelligence M-5 during the Korean War. For a private investigator, he’s as respectable as they come. No wonder then that it’s Dent Huntley Ashton summons to his Westmount mansion. A respected captain of industry, the wealthy man knows the PI can be relied upon to be discreet.

Ashton’s daughter Helen has fallen into heroin addiction, and the millionaire wants Dent to smash the ring supplying her vice, just as he took down a ring operating in Korea.

Set in 1954, the novel captures the dying days of Montreal’s reputation as one of the world’s great sin cities. The Damned and the Destroyed was published in 1962 by McClelland & Stewart in Canada and Dennis Dobson in the UK; this Ricochet Books edition marks the first print edition in more than five decades.

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