For Clarke, Canada’s relentless celebration of itself as a site of “multicultural humanitarianism” has blinded White leaders and citizens to the country’s many crimes, at home and abroad, thus blacking out the historical record. These essays yield an alternate history of Canada, a corrective revision that Clarke describes as “inking words on snow, evanescent and ephemeral.”

An unflinching allegorical novel that explores trauma, women’s rights, and religious tradition.

In the slums of Tehran, seven-year-old Sara witnesses the horrific murder of her sister Setayesh, an event leaves her in shock and unable to speak. As the neighbourhood frantically searches for the missing girl, Sara is locked inside herself, unable to tell her parents or police all she knows.

Over time, the mute Sara develops a strange allergic reaction, in which hair covers her face every time a man approaches her. One day in school, when an imam gets too close, she faints. After Sara reawakens, classmates show her video of her speaking freely and eloquently while unconscious… in Polish. These are only the first of many unexpected developments in Sara’s life, as she grapples with how to live with her sister’s memory in a world that abuses women from a very early age.

Prophetess is a fearless novel of gripping and surreal turns that push the limits of the imagination in their collision of tradition and nonconformity. Baharan Baniahmadi has crafted a wild, allegorical interrogation of trauma, women’s rights, and religious tradition.

In her first-ever collection of essays, poet and novelist Lorna Goodison interweaves the personal and political to explore themes that have occupied her working life: her love of poetry and the arts, colonialism and its legacy, racism and social justice, authenticity, and the enduring power of friendship. Taking its title from one of Kingston's oldest markets, Redemption Ground introduces us to a vivid cast of characters and remembers moments of epiphany—in a cinema in Jamaica, at New York's Bottom Line club, and as she searched for a Black hairdresser in Paris and drank tea in London's Marylebone High Street. Enlightening and entertaining, these essays explore not only daily challenges but also the compassion that enables us to rise above them. They confirm her as a major figure in world literature.

Anita Lahey writes the kind of rigorously observed, emotionally charged poetry few can match. In While Supplies Last, her first collection in eleven years, Lahey throws herself on the mercy of a changing climate, takes refuge in art and revels in everyday wonders. In the final section, about a forest fire that devastated the Cape Breton village of Main-à-dieu in 1976, she becomes a custodian of local histories. No matter the subject, whether traffic reports during the pandemic, a fossilized baby mammoth, or Toronto’s iconic Don River, Lahey extends the sense of what language can do and say. This is tour de force writing: mischievous, unpredictable, urgent, never boring. In While Supplies Last, Lahey comes fully into her own.