Véhicule Press

Because

Andrew Steinmetz

An engrossing punk-rock novel about teenage daydreams and sibling dynamics

Teenage brothers Hombre and Transformer spend their days locked up in their suburban Montreal bedroom, writing songs and dreaming of stardom. Hombre, the younger one, is quiet, contemplative, and talented, a poet in the making. His older brother Transformer is stubborn, domineering, and secretly struggling with mental health issues. Their sequestered world is broken open one summer when their mother hires Spit, a girl from the local guitar shop, to help the boys improve their modest skills. But these good intentions set off a chain reaction with tragic consequences.

Set in the early 80s, in a local music scene brimming with post-punk ethos and a disdain for classic rock, Because is a wry and charming depiction of a sibling relationship founded on feverish angst, unspoken admiration, jealousy, and the pursuit of the greatest song they can write from their own room.

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Ricochet Bundle #2

Special offer—the most recent 5 titles in our Ricochet Canadian noir series.

This book bundle includes:

The Damned and the Destroyed
Four Days
I Am Not Guilty
The Ravine
Perilous Passage

Haven't read the first 12 books in the series? Buy that bundle here.

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Girls, Interrupted

Lisa Whittington-Hill

The past decade has seen a rise in documentaries, memoirs and podcasts that revisit the legacies of women wronged by pop culture. With movements like #MeToo and #TimesUp challenging long-standing narratives around female celebrities, it’s no surprise so many believe the representation of women in the media has improved. In her scathingly witty collection of essays, Girls, Interrupted: How Pop Culture is Failing Women, Lisa Whittington-Hill argues otherwise. Pop culture’s treatment of women, writes Whittington-Hill, is still marked by misogyny and misunderstanding. From the gender bias in celebrity memoir coverage to problematic portrayals of middle-aged women and the sexist pressure on female pop stars to constantly reinvent themselves, Girls, Interrupted critically examines how mainstream media keeps failing women and explores what we can do to fix it. A work of searing relevance, this candid and often cathartic debut marks Whittington-Hill as a cultural critic of the first rank.

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Durable Goods

James Pollock

Durable Goods is a book of sharply imagined poems about everyday technology. James Pollock calls to surprising life everything from microwaves to kettles, sprinklers to umbrellas, with a precision both unerring and effortless. By conjuring the essential spirit of each object, the poet reveals the tools and appliances that surround us as both sympathetic reflections of ourselves—our fear, love, rage, hope and grief—and strange beings with inner lives of their own. “It knows how much pressure you’ve been under,” Pollock writes, of the barometer, “that you could use a change of atmosphere.” Read together, these poems immerse us in an imagined world with the power to make us see our own in a new way. Suffused with dazzling wordplay, razor wit, and rippling sonic effects, the poems richly reward being read aloud. For Pollock, the most durable good is language itself.

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Letters From Montreal

Madi Haslam

Letters From Montreal documents the experiences of Montrealers past and present, creating a portrait of the storied city unlike any other. Drawn from the celebrated column in Maisonneuve magazine, this anthology features Canadian writers chronicling a quintessential part of local life. Narrated with the intimacy of journal entries, each letter bridges the playful and profound. In early dispatches, Melissa Bull ditches a boyfriend over pétanque in Parc Laurier; Sean Michaels watches Arcade Fire lose Battle of the Bands; Deborah Ostrovsky frets over the sublime sophistication of the Plateau’s French children. More recently, Ziya Jones spends a summer herding sheep through Parc du Pélican; Eva Crocker performs in a “fake orgasm choir” at the Rialto Theatre; and André Picard takes a pause from the pandemic by running up Mount Royal.

Edited by Maisonneuve editor-in-chief Madi Haslam, these letters buzz with a sense of possibility, surprise and transformation. They remind us that a city can’t quite be defined, that every person inside it interprets it anew.

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