States of Emergency is a book-length poem about the apocalyptic present, written in a language whose meaning is liquid and full of slippage, always spilling out from its container. In Yoyo Comay’s hands, words roil, churn, and surge. By taking on different mood and modes, from the prophetic to the colloquial, he has created a form that is a constant unravelling—a leap of faith into intuitive meaning, a letting go into ongoingness. “I am catapulted into where I am,” he writes, “and the air concusses around me.”

Comay sees poetry as a visceral experience: a state of immanence, embodiment, emergence, emergency. This is poetry as diary and seismograph, an infinite scroll for the end of days. It is a debut like no other.

An engrossing punk-rock novel about teenage daydreams and sibling dynamics

Teenage brothers Hombre and Transformer spend their days locked up in their suburban Montreal bedroom, writing songs and dreaming of stardom. Hombre, the younger one, is quiet, contemplative, and talented, a poet in the making. His older brother Transformer is stubborn, domineering, and secretly struggling with mental health issues. Their sequestered world is broken open one summer when their mother hires Spit, a girl from the local guitar shop, to help the boys improve their modest skills. But these good intentions set off a chain reaction with tragic consequences.

Set in the early 80s, in a local music scene brimming with post-punk ethos and a disdain for classic rock, Because is a wry and charming depiction of a sibling relationship founded on feverish angst, unspoken admiration, jealousy, and the pursuit of the greatest song they can write from their own room.

The past decade has seen a rise in documentaries, memoirs and podcasts that revisit the legacies of women wronged by pop culture. With movements like #MeToo and #TimesUp challenging long-standing narratives around female celebrities, it’s no surprise so many believe the representation of women in the media has improved. In her scathingly witty collection of essays, Girls, Interrupted: How Pop Culture is Failing Women, Lisa Whittington-Hill argues otherwise. Pop culture’s treatment of women, writes Whittington-Hill, is still marked by misogyny and misunderstanding. From the gender bias in celebrity memoir coverage to problematic portrayals of middle-aged women and the sexist pressure on female pop stars to constantly reinvent themselves, Girls, Interrupted critically examines how mainstream media keeps failing women and explores what we can do to fix it. A work of searing relevance, this candid and often cathartic debut marks Whittington-Hill as a cultural critic of the first rank.

There are parades and then there is Montreal’s St. Patrick’s parade, which has marched through the streets of the city and into Canadian history for 200 years. The street carnival has outlived the Patriote Rebellion of 1837, Fenian infiltration, Orange animosity, strained relationships among Roman Catholic priests who wanted it cancelled, two world wars, two Quebec independence referendums, and two centuries of howling March winds and chilling sub zero temperatures.

With One Long Line of Marvel veteran journalist Alan Hustak has dug up untold nuggets about the parade and nested them with historical certainty and an imaginative flourish in the setting of a Montreal that he knows. Although the author is not a son of Erin, he is considered an honorary Irishman and in 2006 walked the parade route as Chief Reviewing Officer. With this book he continues to honour Montreal’s Irish community by celebrating its personalities and by telling its stories. One Long Line of Marvel enlightens, entertains, amuses and perhaps above all superbly chronicles a long and worthwhile tradition in Montreal’s history.